Kim Debling is a Hampshire, UK based designer and Director of her own company Kestrel Design Ltd. She is mum to Rose and Harvey and wife to her best friend Steve. She’s fighting off Stage 4 Lymphoma and sharing her story along the way, mainly via YouTube. Kim is passionate about being happy, mental wellbeing and in particular art and creative pursuits as therapy during tough times. She teaches online at Udemy, has published books and has art and printables available for sale.
First up, sticking things I found pretty on paper and exploring them. Then getting distracted by a bird I saw as I was making vectored birds for pattern design (perhaps more on that later). Also a bit on combining the Southbank centre line style I liked with Audrey Walkers stitching technique combined further by exploring stitching on paper…. I’m liking how much I’ve learned already – I’m pretty sure thats a big part of this learning process right there!
Can you guess which exhibition I went to?
This is a bit of a combination of the colour theory technique application I read about in Colour Index 2 (see my review: Book Thoughts – Color Index 2 by Jim Krause) and seeing Lichtenstein apply that technique! Lichtensteing does not use the right colour for the lady’s skin but he does use the right value which is why our brain doesn’t scream ‘its wrong’ at us.
I’m really pleased with this page. I saw ‘Sunrise’ 1965 and could not figure out during the exhibition itself how he managed to make the layers ‘pop out’ – at first I genuinely thought the clouds/mountains were on a separate layers of clear acrylic in front of the rest. So I bought the postcard to explore later. I thin figured out the extra thick lines at the bottom in comparison with the thinner lines at the top trick the eye into seeing it as perspective. So I tried it on my bird from 3 pages up / / /. In combo with some desaturated benday dots and more of my Finland tree obsession in the background with even thinner lines (desaturation is also a perspective trick I’ve read about in ‘the artist’ magazine) I think it was very successful in making the bird look like it is projected upwards from the paper. I’m also please that this uses just 4 colours so it could be a very successful way of doing fabric pattern design doesn’t necessarily have to be photo-style printed.
I bought postcards of the images I loved the best so that I could explore them and figure out why I love them so much,
I then tried to explore them by either imitating the style or exploring the technique.
Exhibitions and Sketches was last modified: April 30th, 2015 by